Tuesday 6 May 2008

Madonna dishes some Hard Candy

Madonna dishes some Hard Candy














The undeniable queen of pop, the e'er changing ikon and seniority in the industry is back with her 11th studio record album, Firmly Confect. The record album comes surrounded by ballyhoo and expectancy, following her massive dance floor smash reach, Confessions on a Saltation Floor. Released by Charles Dudley Warner Bros., Hard Confect is the final studio album to be released under her sign on with the music company.
In that location has been much talk about the apparent fading of Madonna�s creative appreciation on this album. Up until now she has had a large part in writing and producing duties for completely her albums since 1986�s True Blue. Hard Candy sees the queen of domination finally submit to the will of the young, rosehip and happening producers of the time, including Timbaland, Justin Timberlake and Pharell Roger Williams of N.E.R.D fame. And it shows.
The record album gives off an boilersuit hip-hop/pop gloriole, with an underlying terpsichore core. It features the vocal talents of Justin Timberlake, Timbaland, Pharrell William Carlos Williams and Kanye West.
Of the record album, Timbaland stated in an interview: "It's kinda like 'Holiday' with an R&B channel." Justin Timberlake rung with industry cartridge holder Hollywood Daily People and noted: "It�s an R&B/pop/dance track record, just it�s still Madonna Louise Ciccone... A couplet of times I pushed her in a steering where it took a minute in front we adage eye to center. Her approach was, 'Well, I barely haven�t done that' and I was like, 'Yeah, that�s wherefore you should do it'�.










The get-go one away the record album, �4 minutes� is a Timberlake, Timberland & Blessed Virgin coaction with a phat bassline and boldness groove that is loud and commanding. People would be easily mistaken for thought that this was a Timberlake song in which Madonna Louise Ciccone makes an appearance, for the vocals ar equally shared. However the combination produces fireworks and, added with the sexy video recording clipping, you could easily spot such a strain on the Mr and Mrs. Ian Smith soundtrack.
Album opener �Candy Shop� is a perussion-liscious, sexually intense groove-fest that successfully �gets you off your seat� as Madonna commands. Put this one up loud and judder your arsehole to this catchy chorus line. �Heartbeat� is a classic Madonna Louise Ciccone dance cartroad with a to a greater extent subtle urban feel; William�s backdrop vocals the perfect tense backup. This vocal has a great vigor and carefree feel.
�Miles Away� is more wistful and guitar driven, as well as featuring more sombre percussion whereas �Incredible� is side drum and sea bass driven track with robot-like lyrics about the times in your living when everything felt right.
�Beat Goes On� features a Kanye West cameo and more of a vocal offering by Williams in the refrain, as well as an about disco-like line and repetitive, catchy lyrical line up.










Timberlake and The Virgin squad up in Terpsichore 2night and the effect is a funky, tune driven nevertheless chilled out RnB lead to a greater extent reminiscent of a rails on a Timberlake album. Non that I�m complaining. The sound becomes Madonna and she fits it perfectly (like most things!).
�Devil wouldn�t greet you� is up there with my favourites on the record album, though I can�t put my feel on wherefore. Hard Confect is full of delectable treats encompassing altogether the colors of the rainbow, still somehow this one stands out. The forte-piano driven strain strikes a chord that melds well with the synthesized intricacies embedded into the music.
Economy the best for death, �Voices� carries an fantastically satisfying service line and vocal music tonal pattern that wreak so well together. And any song that speaks of lord and slave has my attention. �Who is the master, wHO is the slave?�. Erstwhile once more this song utilises pianoforte and or so strings and brings approximately variety to the sound.
Heavily Candy is another hit for the Queen of Pop and re-invention. After having recently conquered the dance genre of the prison term, Virgin Mary has returned with nonetheless once more a fresh sound and a fantastic array of new songs. Catch it on and turn it up.


"Candy Browse" (P. Williams, Madonna) � 4:16
"4 Minutes" (featuring Justin Timberlake and Timbaland) (Mary, T. Mosley, J. Timberlake, N. Hills) � 4:04
"Give It 2 Me" (P. Tennessee Williams, Madonna) � 4:48
"Pulsation" (P. Williams, Virgin Mary) � 4:04
"Miles By" (Madonna, T. Mosley, J. Timberlake, N. Hills) � 4:49
"She's Not Me" (P. Williams, Madonna) � 6:05
"Incredible" (P. Ted Williams, Madonna Louise Ciccone) � 6:20
"Beat Goes On" (featuring Kanye Cicily Isabel Fairfield) (P. Theodore Samuel Williams, The Virgin, K. Due west) � 4:27
"Dance 2night" (The Virgin, T. Mosley, J. Timberlake, H. Lane) � 5:03
"Spanish Lesson" (P. Roger Williams, The Virgin) � 3:38
"Devil Wouldn't Agnise You" (Virgin Mary, T. Mosley, J. Timberlake, N. Hills, J. Henry) � 5:09
"Voices" (Madonna, T. Mosley, J. Timberlake, N. Hills, H. Lane) � 3:39





Linda Mccartney